{"id":15554,"date":"2026-06-17T10:08:59","date_gmt":"2026-06-17T08:08:59","guid":{"rendered":"https:\/\/magazzinodelleidee.it\/?post_type=evento&p=15554"},"modified":"2026-06-17T10:14:23","modified_gmt":"2026-06-17T08:14:23","slug":"ila-beka-fotoni","status":"publish","type":"evento","link":"https:\/\/magazzinodelleidee.it\/en\/evento\/ila-beka-fotoni\/","title":{"rendered":"Ila B\u00eaka"},"content":{"rendered":"\t\t
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Fotoni<\/strong><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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27.06-11.10.2026<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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On display for the first time is a selection of over 300 photographs \ndrawn from the artist\u2019s personal and previously unpublished archive, comprising some 300,000 images\ncollected over forty years of artistic research and practice.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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From 27 June to 11 October 2026, the Magazzino delle Idee in Trieste presents FOTONI, the first solo exhibition \u2013 curated by Barbara Casavecchia \u2013 to showcase the photographic work of Ila B\u00eaka, a Friulian artist and filmmaker internationally recognised for her film work developed alongside Louise Lemoine. Produced and organised by the Regional Authority for Cultural Heritage of Friuli Venezia Giulia \u2013 ERPAC, the exhibition brings together for the first time a selection of 300 photographs from Ila B\u00eaka\u2019s extensive and previously unseen personal archive, comprising some 300,000 images taken over forty years of artistic practice.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The title FOTONI refers to Ila B\u00eaka\u2019s passion for quantum mechanics and to the particles of light at the heart of Albert Einstein\u2019s research. Over a century ago, the physicist put forward the hypothesis that the energy of a light beam was not distributed continuously throughout space, but was composed of localised, moving \u2018quanta\u2019, later termed photons. Once reflected by matter, these are perceived and interpreted by our brain. Hence the title of the exhibition, which the artist summarises as follows: \u2018To see is to translate photons into experience\u2019.<\/p>

As Carlo Rovelli explains, quantum physics invites us to view the world as a network of relationships, in which objects do not possess absolute properties but acquire them through interactions. Everything around us emits, reflects or transmits light. When light enters our eyes, the retina transforms it into nerve signals, and the brain interprets these as shapes and colours.<\/p>

The word \u2018photons\u2019 also suggests a subtle touch of the artist\u2019s self-deprecating humour regarding the large-format scale that some of the photographs take on in the exhibition, compared to the pocket-sized dimensions of the collection of images he has taken, mostly with his mobile phone. For Ila B\u00eaka, in fact, the mobile phone serves as a sketchbook and notebook \u2013 a tool often used by artists to develop and refine their own \u2018grammar of seeing\u2019, even before they begin to depict.<\/p>

As he wanders through the streets, the artist captures moments of waiting and small events, and his gaze delves into everyday life, remaining alert and curious, without imposing on himself the obligation of formal perfection or completeness.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The exhibition<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The exhibition traces a forty-year span of artistic practice without following a chronological order. The photographs follow one another freely, guided by associations, intuitions, emotions and memories, as if they were the artist\u2019s own unfettered thoughts, often accompanied by his brief notes, akin to fragments taken from his diary. Two major themes emerge in the exhibition: the body and light. The theme of the body is evident in the photographic series dating from his adolescence in Latisana (where Ila \u2013 whose real name is Filippo Clericuzio \u2013 was born in 1967) and from the nearby beach at Lignano Sabbiadoro, where the compositions play with the volumes of the bathers\u2019 bodies. Light, on the other hand, is the common thread linking the selection of more abstract and ethereal images, which focus on light as the primary substance of vision and our perceptual experiences. Darkness, shadows, reflections and glimmers become akin to apparitions \u201c\u2026capable of filling us with the same sense of wonder that, as children, seized us when we discovered a ray of light dancing amongst the dust, or a micro-rainbow imprinted on an open palm\u201d, writes the curator in her critical essay.<\/p>

Many of the photographs on display are being shown here for the first time, printed on photographic paper. The images are not conceived according to pre-established dimensions, but can take on different forms and formats, just as there are many different possible simultaneous worlds hypothesised by quantum physics. This is another reason why, as Barbara Casavecchia observes, FOTONI is \u201cone of the many exhibitions that could have emerged from that rich and deeply personal archive, which has remained unpublished until now\u201d.<\/p>

The selection of works on public display stems, in B\u00eaka\u2019s words, \u201cfrom a desire to understand, within this flow of images, which ones are capable of reawakening the gaze and bringing new perceptions to the fore\u201d. The most effective analogy for describing this process is suggested by Louise Lemoine: a film edit, capable of giving rise to a narrative from the formless mass of footage. In B\u00eaka & Lemoine\u2019s films, too, the narrative is not based on a structured screenplay, but remains open to emotional experience and serendipitous encounters. It was precisely this special sensibility that led, in 2016, to the acquisition by MoMA in New York of the duo\u2019s entire body of work produced up to that point, which now forms part of the museum\u2019s permanent collection.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The artist<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ila B\u00eaka was born in Latisana in 1967. He graduated in Architecture from the IUAV in Venice and studied at the \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Paris-Belleville. An artist, director, producer and editor, he works at the intersection of the visual arts, documentary film and architecture. Over the course of forty years, he has built up a body of photographic work that now constitutes a unique archive of over 300,000 images, of which more than 300 are being presented to the public for the first time as part of the FOTONI exhibition at the Magazzino delle Idee in Trieste.<\/p>

As a director, he began by creating a series of 168 microfilms, the *Millimetraggi*, with which he won the Festival du Film Tr\u00e8s Court in Paris, the Massimo Troisi Award and the Maremetraggio Festival in Trieste. For the past twenty years, he has been collaborating with Louise Lemoine as the duo B\u00eaka & Lemoine. Together, they experiment with new narrative and cinematic forms to explore how people experience, perceive and relate to space from an emotional, social, political and cultural perspective. In 2016, the MoMA (Museum of Modern Art) in New York acquired the duo\u2019s entire body of work produced up to that date for its permanent collection. B\u00eaka and Lemoine have made over forty films, including the fifteen-chapter odyssey *Homo Urbanus* (2017\u2013ongoing); among their most recent works are *The World in a Square* (2026) and *Mundo Fr\u00e1gil* (2026, due for release in the autumn), as well as the now-classic *Moriyama-San* (2017), *Tokyo Ride* (2020) and *Koolhaas Houselife* (2008). They are regularly invited to teach courses and give lectures at universities such as the GSD\/Harvard University (USA), the GSAPP at Columbia University (New York, USA), the Academy of Architecture in Mendrisio (Switzerland) and the Architectural Association School in London (United Kingdom). In 2023, they published the book *The Emotional Power of Space* (B&P ed.).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Catalogue<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The exhibition is accompanied by the book *FOTONI*, published by Miracoli, which includes a critical essay by Barbara Casavecchia and three separate conversations between Ila B\u00eaka and Barbara Casavecchia, and between Luca Galofaro and Louise Lemoine.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Opening hours<\/h3>

From 27 June to 11 October 2026<\/p>

Tuesday to Sunday 10.00\u201319.00<\/p>

Closed on Mondays<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Tickets<\/p>

Full price \u20ac8.00<\/p>

Concession \u20ac5.00:<\/p>

– aged 65 and over
– children aged 12 to under 18
– students aged up to 26
– people with disabilities
– FVG card holders
– TCI members
– FAI members<\/p>

Free admission:
– children under 12
– group leaders (1 per group)
– teachers on school trips with pupils\/students (2 per group)
– one carer per person with a disability
– ICOM members
– journalists with a valid National Press Association card on duty<\/p>

Groups (min. 10 people \u2013 max. 25 people):
\u20ac5.00 per person without a guide
\u20ac4.00 per person with a guide (plus \u20ac50.00 for the guide)<\/p>

The ticket office closes half an hour earlier<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Information<\/h3>

email: info@magazzinodelleidee.it<\/a>
phone +39 040 3774783<\/p>

Social<\/h3>

Facebook: @magazzinoideetrieste<\/a><\/p>

Instagram: @magazzinodelleidee<\/a><\/p>

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Press Office
<\/strong><\/p>

DDL Studio
<\/strong>Alessandra de Antonellis<\/span>
<\/span>email: alessandra.deantonellis@ddlstudio.net<\/span>
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Studio Battage
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<\/span>email: margherita.baleni@battage.net<\/span>
<\/span>Phone +39 347 4452374<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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